Saturday, January 22, 2011

The King's Speech

What an enjoyable film. There is no car chase here, the closest we get to that is a man walking in front of the car as it drives through the London Fog, I thought that was all over by 1936. There was no hurried moment and yet the interest and tension carried us for the full length of the film.
Of course, if you want tension, then talking on the wireless (nowadays we call it radio) to millions of people around the globe on the outbreak of war when you have a stammer ranks quite high.
The central relationship is between the Duke of York, who becomes King George V during the film, and Lionel Logue, an Australian speech therapist who helps him deliver his speech.  It is quite a stormy relationship at times.
In the therapy room, Lionel makes the rules. No smoking and strict equality, first names only (no one outside his family uses the name Bertie), are hard for the duke to come to terms with. The Australian has little reverence for the stone of Scone and regal trappings.
At other times the relationship is tender, as Lionel coaxes Bertie during the speech, or is there as Bertie talks about his childhood. Then sparks fly when the British establish discovers and takes exception to this colonial outsider. There is a lovely scene where Bertie tells Lionel he is being a coward.
Speech Therapy is portrayed as a mixture of exercises, some quite undignified, techniques, say apeople rather than people, helping people come to terms with trauma. I guess this combination helps to make it such a rewarding career option.
As well as all that you get George V, the rise of Hitler, Edward VIII, Wallis Simpson, the abdication and the outbreak of WWII.
Geoffrey Rush was good, Colin Firth was great, it was lovely to see Helena Bonham-Carter an an "English Rose", she was superb. Timothy Spall was a very creditable Winston Churchill, Derek Jacobi a very natural Archbishop of Canterbury.
The speech about being at war with Germany was accompanied by music by a composer who was.. German. Even so a good choice, Beethoven's seventh symphony added gravitas, and his 5th piano concerto afterwards reflected wonderfully how the speech had gone.   I regret to say I did not notice the other music, by Alexandre Desplat.  I will have to see the film again.

1 comment:

Unknown said...

Thanks for that Mike ... I wanted to go and see this film and now I want to see it even more ... see you soon xx